For quite a while I have wanted to make a font based on Oscar Wilde's handwriting. This might sound like rather a niche life goal, but it's because I'm working on comics about Wilde. Usually, I write from Wilde's point of view, using Wilde's own words, so it makes sense to fill the captions and word balloons with Wilde's handwriting. My own (awful) handwriting would look out of place, and off-the-shelf fonts often seem rather sterile when combined with my loose drawing style.
The problem was, I didn't know how to make a font. Until now! Someone I follow on Twitter mentioned a web app called Calligraphr. I had a look and turns out it's great. You tell the app which characters you want in your typeface, download and print a template, and write all your characters on it. Then you scan it in and—hey presto!—you've got a font based on your own handwriting.
Unfortunately, Wilde is not in a position to write the alphabet on a piece of paper because he is dead. I'm not one to let that stop me, though. I downloaded the manuscript of De Profundis, which the British Library has helpfully digitised and made freely available, and searched it for a full set of letters. Wilde's handwriting is notoriously messy, so it took a while to find everything I needed. I supplemented the long prison letter with some other autograph letters and poems held at the Morgan Library.
Wilde often wrote the same letter in different ways. For example, his lowercase 'd' is sometimes formed in the standard way, but often the ascender swoops to the left (see the 'd' in Madison in my faked latter, above). When the letter 'e' is joined to a previous letter it is formed in the standard way; when it is not joined, Wilde tends to write it like a Greek epsilon (ε). I collected these alternative characters, as well as ligatures (letters that Wilde typically joined together). After cutting and pasting the characters into Adobe Illustrator, I traced over them and uploaded my templates to Calligraphr. A little nudging was necessary to ensure a generous Wildean spacing between the words, but the process was relatively easy.
The font doesn't replicate Wilde's handwriting exactly. My aim was to produce a typeface that resembles Wilde's style while maximising legibility: after all, I don't want readers to struggle to read my comics.
At the moment I don't plan to make the font publicly available because I would be quite put out if it were to appear all over social media, deployed in the service of misquoted memes. If you really want a copy, get in touch and I will probably send it because I am nice.